- Artist: Usher
- Label: LaFace Records, JLG
- Director: Anthony Mandler
- Album: Raymond V. Raymond
Source: http://www.mtv.com/overdrive/?artist=1270&vid=498588
Source: http://www.mtv.com/overdrive/?artist=1270&vid=498588
Critics, Hollywood insiders weigh in the possibility that the director may be removed from the upcoming superhero reboot.
By Eric Ditzian
Zack Snyder and Superman
Photo: AFP/ Alex Ross/ DC Comics
There was a time, after "Dawn of the Dead" and "300," when few might have argued against handing Superman's cape to director Zack Snyder and telling him, "Resurrect this franchise!" Then came his polarizing adaptation of "Watchmen" and a disappointing box-office performance in "Legend of the Guardians," neither of which prevented Warner Bros. from giving Snyder the "Superman" gig last October. Now, though, in the wake of the critical drubbing and weak opening weekend of "Sucker Punch," some industry insiders suspect that the studio and its corporate parent are starting to wonder if Snyder — a director with a keen visual eye but not always the deftest storytelling touch — is truly the right man for the job.
In fact, David Poland of Movie City News even speculated that the director might end up departing the production. "Next month would be the moment when Snyder 'decides to do a more personal project,' if he was being given the heave-ho," the critic told MTV News.
Not that Poland or anyone else is suggesting that Snyder has one foot out the door. Certainly helping matters is that "The Dark Knight Rises" director Christopher Nolan has taken on a much-vaunted "godfather" role on "Superman."
"With Nolan shepherding 'Superman,' Warner Bros. will likely have complete trust in their collective vision as they attempt to reboot one of Hollywood's golden franchises," said Jeff Bock, box-office analyst for entertainment-research firm Exhibitor Relations. "Yes, 'Sucker Punch' is a creative and financial disappointment, and probably the last time in quite a while that Snyder will be given free reign over a film, but he was never going to have that creative autonomy with 'Superman' regardless."
Yet Nolan's guidance is hardly enough to ensure "Superman" success on the level of "Batman Begins" or "The Dark Knight." James Cameron, for instance, took on an executive-producer role on "Sanctum" — one can clearly see his input both in the visuals and the storyline — but no one would argue that the film resides in the same creative universe as "Avatar." What's more, it remains unclear how engaged Nolan will be as he readies production on "The Dark Knight Rises."
"How involved will Nolan really be? His ['Batman'] casting is ahead of 'Superman''s," said Poland. "[Is] Nolan godfathering Snyder or just WB? Is he there to give script notes or to really assert an influence? It's an unknown."
Poland maintains that Snyder's hiring always seemed to be a move spearheaded by Warner Bros. Pictures Group president Jeff Robinov rather than Nolan, since the two directors possess vastly different stylistic vocabularies. In this sense, it may not be that WB is reassessing Snyder so much as that Robinov's higher-ups at Time Warner are.
"[I]t's more about the bosses second-guessing. Will the noise level turn [CEO] Jeff Bewkes' head?" noted Poland. "Could another 'Superman' flop — meaning just $400 million worldwide, hit numbers for most films — change how Jeff Robinov is seen inside the company? ... I do believe that [Snyder] is Robinov's guy and that Robinov's career is on the line here."
It's important to note, however, that Warner Bros. certainly knew what it had in "Sucker Punch" before hiring Snyder — its commercial and critical reception couldn't have come as an inordinate surprise. Nor was its box-office debut ($19 million) especially shocking, according to Gitesh Pandya, editor of BoxOfficeGuru.com. "The opening was only a tad bit below expectations," he said. "If a branded film like 'Watchmen' opened like this, then it would be a big deal. The visuals were impressive and that's a major factor when it comes to a superhero tentpole. Many directors with far less action experience were handed comic-book epics before."
But even action-savvy helmers have faltered with "Superman." Just ask Bryan Singer. The thing is, after Singer's "Superman Returns" failed to resonate with the public in 2006, Warner Bros. can hardly afford to stumble again. According to Bock, WB understands that "it's do or die time," and continues to have confidence that its pairing of Snyder and Nolan was the right choice.
"[T]hey needed Nolan in a godfather capacity, and Snyder to up the hip quotient," Bock said. "Snyder knows how to create a dynamic spectacle on the silver screen, as he has shown with '300' and 'Dawn of the Dead,' and with Nolan guiding the story process, 'Superman' may just be the next big thing — again."
For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com.
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I once emailed a bunch of photos like this to my ex-boyfriend with the subject "You f*cked her."?
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Singer covered songs ranging from classic 'Pleasure Principle' to 2008's 'Feedback' at New York show.
By Vaughn Schoonmaker
Janet Jackson (file)
Photo: Christopher Polk/ Getty Images
NEW YORK — Often imitated, never duplicated, Janet Jackson's outbursts of meticulous choreography, sassy exclamations and smoldering gazes into the audience kept them on their feet for the entire two-hour set of her greatest hits at Radio City Music Hall. Monday night marked the last of three sold-out shows at the historic venue on her monumental Number Ones: Up Close and Personal Tour.
Up-and-coming boy band Mindless Behavior opened the show with songs including "#1 Girl," "Future" and their debut single, "My Girl." With their Usher-esque dance moves and shouts like "Where the ladies at?" the boys brought the tween girls out of hiding, judging by the shrill screams escaping various corner of the music hall.
At 9:00 sharp, the lights went down and Janet's fans were on the edge of their seats, watching music videos for "The Best Things in Life Are Free" and "Rhythm Nation" projected on big screens across the venue. A small shadow drifted toward center stage, and when the colorful lights came up, Jackson, wrapped in a shoulder-padded catsuit, complete with slick short hair, blasted into "The Pleasure Principle," dancing as hard and intensely choreographed as she did when the song first came out in the 1980s.
With barely a spare second between songs, Janet dazzled her way through her biggest hits, including "Miss You Much," "All for You" and "Nasty," and more recent hits like 2008's "Feedback."
Videos displayed during Jackson's costume changes included vintage clips from "Diff'rent Strokes," a funny scene from "Poetic Justice" where Jackson slyly rejects the advances of Tupac Shakur's character, and a rather heavy scene, as Jackson's character in "Why Did I Get Married" destroys her husband's house with a golf club, screaming hysterically.
Considering the tough couple of years the Jackson family has faced, the dark moments in the video seemed fitting, and everyone was beside themselves with bittersweet joy when Michael Jackson's face popped up on the big screen and she performed their hit single "Scream."
Janet emerged for her encore in a tight white one-piece disco suit, and performed "Diamonds," "Make Me" and "Together Again," which appeared to be the biggest hit of the evening. As Jackson graciously bowed out, her straight face transitioned into a smirk, suggesting that despite the hard times she has experienced recently, we can expect to see this singing and dancing pop legend shine far into the future.
"Its amazing!" Janet fan Elena Mercantini gleamed afterward. "It's like she's still 20 years old!"
"She's hot, she's amazing and she's still got it after all these years" added Alison Klinger of Long Island. "Best concert I've ever been to!"
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1660385/janet-jackson-radio-city-concert.jhtml
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Wax versions of Bieber land in NYC, London and Amsterdam.
By Jocelyn Vena
Justin Bieber with his wax figure in London on Tuesday
Photo: Getty Images
NEW YORK — Justin Bieber's wax statues are here! Three statues were unveiled at Madame Tussauds wax museums around the world, in New York, Amsterdam and London. Bieber was on hand in London to catch a glimpse of his wax likeness. And, as promised, the statues feature Bieber's old, swooping hairstyle.
At the London unveiling, Bieber tweeted about how excited he was for the wax statues. "Arrived at @tussaudslondon to see my WAX figure!! the 1st time i saw a wax figure was in nyc and all we could do was look thru the glass," he wrote. "Now we are here in London and they r about to show my figure here and in amsterdam and in nyc at the one we looked thru the glass. #DREAMBIG."
Bieber's statue in New York is featured alongside his pal and mentor Usher in the VIP room. The NYC Bieber statue is wearing a black vest by will.i.am and pants by Balenciaga. The clothes were donated by Bieber himself. MTV News was on hand at the New York unveiling, where fans eagerly caught a glimpse of their idol's figurine.
So how accurate is the wax figure? "It's pretty good. I love Justin Bieber, and this is pretty hot," gushed Libby Walker, who said she also attended the Miley Cyrus wax-figure unveiling in 2008. "He cut his hair recently, so it's not exactly the same, but I like his hair. A lot of girls like it more with the hair flip. It's such an honor to be here to support him."
"I'm honored to be getting my own wax figures," Bieber previously said about joining fellow pop stars like Taylor Swift and the Jonas Brothers at Madame Tussauds. "To be immortalized in wax alongside some of my idols — Michael Jackson, Prince, Beyoncé and my mentor, Usher — is incredibly exciting and very cool."
What do you think of the Bieber wax figures? Let us know in the comments!
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1659922/justin-bieber-wax-figure.jhtml
Source: http://www.mtv.com/overdrive/?artist=501686&vid=215555
Filed under: Lawrence Taylor, Celebrity Justice, TMZ Sports
One week after Lawrence Taylor escaped jail time ... the pimp who set him up with a 16-year-old prostitute is pleading guilty to one count of sex trafficking for profit. Rasheed Davis (left) struck the deal and entered his plea today in Manhattan Federal… Read moreAfter performing her Monster Ball in Kentucky, the pop star joins a Gaga impersonator at a nearby club.
By Gil Kaufman
Lady Gaga performs in Louisville, Kentucky, on Saturday
Photo: Gil Kaufman
LOUISVILLE, Kentucky — The concourse at the KFC YUM! Center was packed with Lady Gaga impersonators — male and female — during her show at the venue on Saturday night. There were drag queens in towering heels, caution tape and not much else, and an endless sea of ladies in neon-colored wigs strutting their stuff in a variety of homebrewed costumes based on Gaga video looks, from the soda-can-in-the-hair 'do to skull face-paint, hot pants, fishnets and lots of glitter.
One venue employee said that at a pre-show meeting to discuss appropriate attire for attendees, they were told "anything" goes, as long as underwear of some sort was involved.
But even after a nearly two-hour Monster Ball extravaganza that featured the usual compliment of fire-belching pianos, sexy, nun-stocked subway cars and an attack by a giant angler fish puppet, Gaga had still not had enough. According to a video posted on TMZ, Mother Monster popped up unexpectedly at a Louisville gay bar called Connections at around 1:15 a.m. to show the girls how "Born This Way" should sound.
The instantly iconic gay anthem — which she'd done onstage as both a moving piano ballad and as a show-stopping, night-capping encore — was being performed by a queen at the club when the Gaga walked out unannounced, wearing fishnets and a black leotard, and proceeded to make the club go nuts by singing the song live over a pounding remix.
Gaga performed an impromptu dance duet with her doppelganger, a 6-foot-plus queen in a spangled bikini and long blonde wig, and then did a mini-stage dive into the crowd before strutting off stage three minutes later amid screams of delight from her stunned followers.
Have you been to the Monster Ball? Share your favorite moments in the comments!
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Singer teases his new project by pointing to past hits like 'Yeah!' and 'OMG.'
By James Montgomery
With the success of songs like "DJ Got Us Fallin' in Love," "Hot Tottie" and "OMG," Usher had himself a fairly massive 2010. But rather than rest on his laurels, he's looking to build on his big year, not with an album, but with a "movement."
It's something he's calling "Rev Pop" — or, simply, "Rev" — and though he's already teased his idea in a video with David Guetta (Akon is also involved), he has yet to speak in full about it. So when MTV News caught up with Ush before the 53rd annual Grammy Awards in Los Angeles at the (Belvedere) RED launch party, we asked him about his next musical endeavor. And though he didn't reveal much, he did let it be known that "Rev" isn't exactly something new. In fact, he's been doing it for a while now.
"I'll give it to you this way: At a later date, I'll tell you more about Rev Pop, but if I were to give you a flash: I've done it before, I did it with 'Yeah!' " he said, "taking a cultural experience, and also worldwide recognition of a feeling, and putting the soul in the middle of it. Not allowing it to shift heavily to R&B genre, or pop. I did it again with 'OMG,' once again putting the soul in the middle of it, which was an electric-pop experience, with the soul.
"It's bringing those elements together to tell a story, that was born here," he said, gesturing toward his heart, "And that's what Rev Pop is. There's more, I mean, I could really elaborate, but that's just what I'm going to tell you right now. 'Rev' is what it's called ... the movement is called Rev."
Usher wouldn't say just when his fans would be getting their first taste of Rev, but whenever they do, it sounds like they're going to be impressed ... if not a little shocked.
"Stay alive," he smiled, "Because you're definitely going to be in for a surprise."
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